mimagie experiments with genres and emotions, shaping a new cinematic language for the age of generative film
short film, 1'27"
Le Dernier Souhait (The Last Wish)
What if one last wish could change the world? In the grim heart of the French Revolution, a condemned man about to meet the guillotine makes an impossible request: a Pepsi. This satirical short fuses epic historical drama with sharp modern humor as a single beverage momentarily halts a revolution and rewrites history. The impossible is settled into the texture of reality, the absurd feels documented, as even a crowned Emmanuel Macron is treated with sober realism. The final student answer works as a metaphor for the creative prompt, where idea becomes engine.
short film, 45”
Don't Worry. Be Happy
A witty, life-affirming thriller about destiny, appetite, and courage. Food that was made to be eaten sings the classic hit “Don’t Worry, Be Happy” as it is served, sliced, and savored. As the meals face their fate with a crooked grin, the viewer recognizes a mirror. We are all on the line, we all have to pull through, and if even these edible heroes find a melody for tomorrow, so can we. Every shot is composed like a poster, and every close-up turns ordinary food into a tiny leading actor.
short film, 60”
This AI is Disgusting
This is a sharp, funny time capsule of the moment the public first flinched at generative imagery—calling out the cringe even as they wondered whether to accept a new reality. On the other side stand the evangelists, cheering a bold visual language and tossing out the old rules of realism. This short stages that collision with precision and wit: you’ll laugh, you’ll wince, and you’ll recognize yourself in the shock, the fascination, and the uneasy thrill of watching a new medium find its voice.
short film, 2’55”
District 9
A surreal, non-linear art film captures the fractured experience of an alien being on Earth. Through a haunting, poetic narration, the film splices together dream-like vignettes of capture, experimentation, and transformation. We see the alien as a test subject on an autopsy table, as a priest getting a mugshot, and in bizarre encounters with a Lucha Libre wrestler. The narrator, the alien herself, recounts losing her past and having a "second heart" planted within her. A meditation on trauma, identity, and escape, the film culminates in a dark warning about the human cost of "research."